| Titre : | Longman Anthology of British Literature : The Romantics and Their Contemporaries: Volume 2a | | Type de document : | texte imprimé | | Auteurs : | David Damrosch, Auteur | | Editeur : | Longman Inc | | Année de publication : | 2012 | | Importance : | 1264 p. | | Format : | 23.1 x 16 x 2.6 centimetres (0.86 kg) | | ISBN/ISSN/EAN : | 978-0-205-22316-9 | | Note générale : | The Longman Anthology of British Literatureis the most comprehensive and thoughtfully arranged text in the field, offering a rich selection of compelling British authors through the ages. With its first edition, The Longman Anthology of British Literature created a new paradigm for anthologies. Responding to major shifts in literary studies over the past thirty years, it was the first collection to pay sustained attention to the contexts within which literature is produced, even as it broadened the scope of that literature to embrace the full cultural diversity of the British Isles. Within its pages, canonical authors mingle with newly visible writers; English accents are heard next to Anglo-Norman, Welsh, Gaelic, and Scottish ones; female and male voices are set in dialogue; literature from the British Isles is integrated with post-colonial writing; and major works are illumined by clusters of shorter texts that bring literary, social, and historical issues vividly to life. The Fifth Edition builds on the pioneering features of the previous four editions, expanding the strong core of frequently taught works while continuing to lead the way in responding to the shifting interests of the discipline. | | Langues : | Anglais | | Note de contenu : | Table of Contents:
Longman Anthology of British Literature, Volume 2A, The: The Romantics and Their Contemporaries, 5/e The Romantics and Their Contemporaries Illustration: Thomas Girtin, Tintern Abbey THE ROMANTIC PERIOD AT A GLANCE INTRODUCTION LITERATURE AND THE AGE: "NOUGHT WAS LASTING" ROMANCE, ROMANTICISM, AND THE POWERS OF THE IMAGINATION THE FRENCH REVOLUTION AND ITS REVERBERATIONS Illustration: Thomas Rowlandson, after a drawing by Lord George Murray, The Contrast THE MONARCHY Illustration: Thomas Lawrence, Coronation Portrait of the Prince Regent (later, George IV) INDUSTRIAL ENGLAND AND "NEVER-RESTING LABOUR" CONSUMERS AND COMMODITIES Color Plate 1: John Martin, The Bard Color Plate 2: Thomas Gainsborough, Mrs. Mary Robinson Color Plate 3: Thomas Phillips, Lord Byron Color Plate 4: Anonymous, Portrait of Olaudah Equiano Color Plate 5: J. M. W. Turner, Slavers Throwing the Dead and Dying Overboard, Typhoon Coming On Color Plate 6: William Blake, The Little Black Boy (second plate only) Color Plate 7: William Blake, The Little Black Boy (another version of #6) Color Plate 8: William Blake, The Tyger Color Plate 9: William Blake, The Sick Rose Color Plate 10: Joseph Wright, An Iron Forge Viewed from Without AUTHORSHIP, AUTHORITY, AND "ROMANTICISM" POPULAR PROSE Illustration: George Cruikshank, The Press PERSPECTIVES The Sublime, the Beautiful, and the Picturesque Illustration: Thomas Rowlandson, Dr. Syntax Sketching by the Lake Illustration: Joseph Mallord William Turner, The Passage of the St. Gothard, 1804 EDMUND BURKE from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful Illustration: Benjamin Robert Haydon, Study after the Elgin Marbles IMMANUEL KANT from The Critique of Judgement WILLIAM GILPIN Illustration: Edward Dayes, Tintern Abbey from across the Wye, 1794 from Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape Illustration: From William Gilpin's Three Essays, 1792 MARY WOLLSTONECRAFT from A Vindication of the Rights of Men JANE AUSTEN from Pride and Prejudice from Northanger Abbey MARIA JANE JEWSBURY A Rural Excursion JOHN RUSKIN from Modern Painters ANNA LETITIA BARBAULD The Mouse's Petition to Dr. Priestley On a Lady's Writing Inscription for an Ice-House To a Little Invisible Being Who Is Expected Soon to Become Visible To the Poor Washing-Day Eighteen Hundred and Eleven RESPONSE John Wilson Croker: from A Review of Eighteen Hundred and Eleven The First Fire On the Death of the Princess Charlotte CHARLOTTE SMITH from ELEGIAC SONNETS AND OTHER POEMS To the Moon "Sighing I see yon little troop at play" Illustration: Charlotte Smith, engraving for Sonnet IV, "To the Moon" To melancholy. Written on the banks of the Arun October,... |
Longman Anthology of British Literature : The Romantics and Their Contemporaries: Volume 2a [texte imprimé] / David Damrosch, Auteur . - United States : Longman Inc, 2012 . - 1264 p. ; 23.1 x 16 x 2.6 centimetres (0.86 kg). ISBN : 978-0-205-22316-9 The Longman Anthology of British Literatureis the most comprehensive and thoughtfully arranged text in the field, offering a rich selection of compelling British authors through the ages. With its first edition, The Longman Anthology of British Literature created a new paradigm for anthologies. Responding to major shifts in literary studies over the past thirty years, it was the first collection to pay sustained attention to the contexts within which literature is produced, even as it broadened the scope of that literature to embrace the full cultural diversity of the British Isles. Within its pages, canonical authors mingle with newly visible writers; English accents are heard next to Anglo-Norman, Welsh, Gaelic, and Scottish ones; female and male voices are set in dialogue; literature from the British Isles is integrated with post-colonial writing; and major works are illumined by clusters of shorter texts that bring literary, social, and historical issues vividly to life. The Fifth Edition builds on the pioneering features of the previous four editions, expanding the strong core of frequently taught works while continuing to lead the way in responding to the shifting interests of the discipline. Langues : Anglais | Note de contenu : | Table of Contents:
Longman Anthology of British Literature, Volume 2A, The: The Romantics and Their Contemporaries, 5/e The Romantics and Their Contemporaries Illustration: Thomas Girtin, Tintern Abbey THE ROMANTIC PERIOD AT A GLANCE INTRODUCTION LITERATURE AND THE AGE: "NOUGHT WAS LASTING" ROMANCE, ROMANTICISM, AND THE POWERS OF THE IMAGINATION THE FRENCH REVOLUTION AND ITS REVERBERATIONS Illustration: Thomas Rowlandson, after a drawing by Lord George Murray, The Contrast THE MONARCHY Illustration: Thomas Lawrence, Coronation Portrait of the Prince Regent (later, George IV) INDUSTRIAL ENGLAND AND "NEVER-RESTING LABOUR" CONSUMERS AND COMMODITIES Color Plate 1: John Martin, The Bard Color Plate 2: Thomas Gainsborough, Mrs. Mary Robinson Color Plate 3: Thomas Phillips, Lord Byron Color Plate 4: Anonymous, Portrait of Olaudah Equiano Color Plate 5: J. M. W. Turner, Slavers Throwing the Dead and Dying Overboard, Typhoon Coming On Color Plate 6: William Blake, The Little Black Boy (second plate only) Color Plate 7: William Blake, The Little Black Boy (another version of #6) Color Plate 8: William Blake, The Tyger Color Plate 9: William Blake, The Sick Rose Color Plate 10: Joseph Wright, An Iron Forge Viewed from Without AUTHORSHIP, AUTHORITY, AND "ROMANTICISM" POPULAR PROSE Illustration: George Cruikshank, The Press PERSPECTIVES The Sublime, the Beautiful, and the Picturesque Illustration: Thomas Rowlandson, Dr. Syntax Sketching by the Lake Illustration: Joseph Mallord William Turner, The Passage of the St. Gothard, 1804 EDMUND BURKE from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful Illustration: Benjamin Robert Haydon, Study after the Elgin Marbles IMMANUEL KANT from The Critique of Judgement WILLIAM GILPIN Illustration: Edward Dayes, Tintern Abbey from across the Wye, 1794 from Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape Illustration: From William Gilpin's Three Essays, 1792 MARY WOLLSTONECRAFT from A Vindication of the Rights of Men JANE AUSTEN from Pride and Prejudice from Northanger Abbey MARIA JANE JEWSBURY A Rural Excursion JOHN RUSKIN from Modern Painters ANNA LETITIA BARBAULD The Mouse's Petition to Dr. Priestley On a Lady's Writing Inscription for an Ice-House To a Little Invisible Being Who Is Expected Soon to Become Visible To the Poor Washing-Day Eighteen Hundred and Eleven RESPONSE John Wilson Croker: from A Review of Eighteen Hundred and Eleven The First Fire On the Death of the Princess Charlotte CHARLOTTE SMITH from ELEGIAC SONNETS AND OTHER POEMS To the Moon "Sighing I see yon little troop at play" Illustration: Charlotte Smith, engraving for Sonnet IV, "To the Moon" To melancholy. Written on the banks of the Arun October,... |
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