The Oxford Handbook of Indigenous American Literature / James H. Cox

Public ISBD Titre : The Oxford Handbook of Indigenous American Literature Type de document : texte imprimé Auteurs : James H. Cox, Auteur ; Daniel Heath Justice, Auteur Editeur : Oxford [United Kingdom] : Oxford university press Année de publication : 2014 Collection : Oxford Handbooks Importance : 768 p. Format : 24.89 x 18.54 x 6.1 centimetres (1.47 kg) ISBN/ISSN/EAN : 978-0-19-991403-6 Langues : Anglais Mots-clés : Indigenous  American-Literature. Résumé : Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field. The Handbook's forty-three essays, organized into four sections, cover oral traditions, poetry, drama, non-fiction, fiction, and other forms of Indigenous American writing from the seventeenth through the twenty-first century. Part I attends to literary histories across a range of communities, providing, for example, analyses of Inuit, Chicana/o, Anishinaabe, and Metis literary practices. Part II draws on earlier disciplinary and historical contexts to focus on specific genres, as authors discuss Indigenous non-fiction, emergent trans-Indigenous autobiography, Mexicanoh and Spanish poetry, Native drama in the U.S. and Canada, and even a new Indigenous children's literature canon. The third section delves into contemporary modes of critical inquiry to expound on politics of place, comparative Indigenism, trans-Indigenism, Native rhetoric, and the power of Indigenous writing to communities of readers. A final section thoroughly explores the geographical breadth and expanded definition of Indigenous American through detailed accounts of literature from Indian Territory, the Red Atlantic, the far North, Yucatan, Amerika Samoa, and Francophone Quebec. Together, the volume is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date. It is the first to fully take into account the last twenty years of recovery and scholarship, and the first to most significantly address the diverse range of texts, secondary archives, writing traditions, literary histories, geographic and political contexts, and critical discourses in the field. Note de contenu : Table of Contents: Introduction - "Post-Renaissance Native American and Indigenous American Literary Studies," James H. Cox and Daniel H. Justice ; Part I - Histories ; 1. "The Sovereign Obscurity of Inuit Literature," Keavy Martin ; 2. "At the Crossroads of Red/Black Literature," Kiara Vigil and Tiya Miles ; 3. "Ambivalence and Contradiction in Contemporary Maya Literature from Yucatan: Jorge Cocom Pech's Muk'ult'an in Nool [Grandfather's Secrets]" Emilio Del Valle Escalante ; 4. "Early Native Literature, U.S.," Phillip Round ; 5. "Nineteenth-Century Native Literature," Maureen Konkle ; 6. "Hawaiian Literature in Hawaiian: An Overview," Noenoe K. Silvama ; 7. "Metis Identity and Literature," Kristina Fagan Bidwell ; 8. "Queering Indigenous Pasts, or Temporalities of Tradition and Settlement," Mark Rifkin ; 9. "Singing Forwards and Backwards: Ancestral and Contemporary Chamorro Poetics," Craig Santos Perez ; 10. "Indigenous Orality and Oral Literatures," Christopher Teuton ; 11. "Anishinaabendamowaad Epichii Zhibiaamowaad: Anishinaabe Literature," Margaret Noodin ; Part II - Genres ; 12. "Native Nonfiction," Robert Warrior ; 13. "Towards a Native American Women's Autobiographical Tradition: Genre as Political Practice," Crystal Kurzen ; 14. "Ixtlamatiliztli / Knowledge with the Face: Intellectual Migrations and Colonial ; Dis-placements in Natalio Hernandez's Xochikoskatl," Adam Coon ; 15. "'our leaves of paper will be / dancing lightly': Indigenous Poetics," Sophie Mayer ; 16. "Natives and Performance Culture," LeAnne Howe ; 17. "Published Native American Drama, 1980?2011," Alexander Pettit ; 18. "Indigenous American Cinema," Denise K. Cummings ; 19. "Reading the Visual, Seeing the Verbal: Text and Image in Recent American Indian Literature and Art," Dean Rader ; 20. "The Indigenous Novel," Sean Kicummah Teuton ; 21. "Indigenous Children's Literature," Loriene Roy ; 22. "Red Dead Conventions: American Indian Transgenric Fictions," Jodi Byrd ; Part III - Methods ; 23. "Contested Images, Contested Lands: The Politics of Space in Louise Erdrich's Tracks and Leslie Marmon Silko's Sacred Water" Shari Huhndorf ; 24. "Decolonizing Comparison: Towards a Trans-Indigenous Literary Studies," Chadwick Allen ; 25. "Indigenous Trans/Nationalism and the Ethics of Theory in Native Literary Studies," Joseph Bauerkemper ; 26. "Beyond Continuance: Criticism of Indigenous Literatures in Canada," Sam ; McKegney ; 27. "All that is Native and Fine: Teaching Native American Literature," Frances Washburn ; 28. "Teaching Native Literature in a Multi-Ethnic Classroom," Channette Romero ; 29. "Between 'Colonizer-Perpetrator' and 'Colonizer-Ally': Towards a Pedagogy of Redress," Renate Eigenbrod ; 30. "Vine Deloria, Jr. and the Spacemen," Craig Womack ; 31. "A basket is a basket because...: telling a Native rhetorics story," Malea Powell ; 32. "The Making and Remaking of the Mestiza: New Tribalism and the Expression of an Indigenous Identity in the Work of Gloria Anzaldua," Domino Renee Perez ; Part IV - Geographies ; 33. "Literature and the Red Atlantic," Jace Weaver ; 34. "The Re/Presentation of the Indigenous Caribbean in Literature," Shona Jackson ; 35. "Writing and Lasting: Native Northeastern Literary History," Lisa Brooks ; 36. "Decolonizing the Indigenous Oratures and Literatures of Northern British North America and Canada (Beginnings to 1960)," Margery Fee ; 37. "Indigenous Literature and Other Verbal Arts, Canada (1960-2012)," Warren Cariou ; 38. "Amerika Samoa: Writing Home," Caroline Sinavaiana Gabbard ; 39. "Native Literatures of Alaska," James Ruppert ; 40. "The Popol Wuj and the Birth of Mayan Literature," Thomas Ward ; 41. "Keeping Oklahoma Indian Territory: Alice Callahan and John Oskison (Indian Enough)," Joshua B. Nelson ; 42. "Francophone Aboriginal Literature in Quebec," Sarah Henzi ; Afterwords ; 43. "I ka '?lelo ke Ola, in Words is Life: Imagining the Future of Indigenous Literatures," ku'ualoha ho'omanawanui. The Oxford Handbook of Indigenous American Literature [texte imprimé] / James H. Cox, Auteur ; Daniel Heath Justice, Auteur . - Oxford (United Kingdom) : Oxford university press, 2014 . - 768 p. ; 24.89 x 18.54 x 6.1 centimetres (1.47 kg). - (Oxford Handbooks) . ISBN : 978-0-19-991403-6 Langues : Anglais Mots-clés : Indigenous  American-Literature. Résumé : Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field. The Handbook's forty-three essays, organized into four sections, cover oral traditions, poetry, drama, non-fiction, fiction, and other forms of Indigenous American writing from the seventeenth through the twenty-first century. Part I attends to literary histories across a range of communities, providing, for example, analyses of Inuit, Chicana/o, Anishinaabe, and Metis literary practices. Part II draws on earlier disciplinary and historical contexts to focus on specific genres, as authors discuss Indigenous non-fiction, emergent trans-Indigenous autobiography, Mexicanoh and Spanish poetry, Native drama in the U.S. and Canada, and even a new Indigenous children's literature canon. The third section delves into contemporary modes of critical inquiry to expound on politics of place, comparative Indigenism, trans-Indigenism, Native rhetoric, and the power of Indigenous writing to communities of readers. A final section thoroughly explores the geographical breadth and expanded definition of Indigenous American through detailed accounts of literature from Indian Territory, the Red Atlantic, the far North, Yucatan, Amerika Samoa, and Francophone Quebec. Together, the volume is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date. It is the first to fully take into account the last twenty years of recovery and scholarship, and the first to most significantly address the diverse range of texts, secondary archives, writing traditions, literary histories, geographic and political contexts, and critical discourses in the field. Note de contenu : Table of Contents: Introduction - "Post-Renaissance Native American and Indigenous American Literary Studies," James H. Cox and Daniel H. Justice ; Part I - Histories ; 1. "The Sovereign Obscurity of Inuit Literature," Keavy Martin ; 2. "At the Crossroads of Red/Black Literature," Kiara Vigil and Tiya Miles ; 3. "Ambivalence and Contradiction in Contemporary Maya Literature from Yucatan: Jorge Cocom Pech's Muk'ult'an in Nool [Grandfather's Secrets]" Emilio Del Valle Escalante ; 4. "Early Native Literature, U.S.," Phillip Round ; 5. "Nineteenth-Century Native Literature," Maureen Konkle ; 6. "Hawaiian Literature in Hawaiian: An Overview," Noenoe K. Silvama ; 7. "Metis Identity and Literature," Kristina Fagan Bidwell ; 8. "Queering Indigenous Pasts, or Temporalities of Tradition and Settlement," Mark Rifkin ; 9. "Singing Forwards and Backwards: Ancestral and Contemporary Chamorro Poetics," Craig Santos Perez ; 10. "Indigenous Orality and Oral Literatures," Christopher Teuton ; 11. "Anishinaabendamowaad Epichii Zhibiaamowaad: Anishinaabe Literature," Margaret Noodin ; Part II - Genres ; 12. "Native Nonfiction," Robert Warrior ; 13. "Towards a Native American Women's Autobiographical Tradition: Genre as Political Practice," Crystal Kurzen ; 14. "Ixtlamatiliztli / Knowledge with the Face: Intellectual Migrations and Colonial ; Dis-placements in Natalio Hernandez's Xochikoskatl," Adam Coon ; 15. "'our leaves of paper will be / dancing lightly': Indigenous Poetics," Sophie Mayer ; 16. "Natives and Performance Culture," LeAnne Howe ; 17. "Published Native American Drama, 1980?2011," Alexander Pettit ; 18. "Indigenous American Cinema," Denise K. Cummings ; 19. "Reading the Visual, Seeing the Verbal: Text and Image in Recent American Indian Literature and Art," Dean Rader ; 20. "The Indigenous Novel," Sean Kicummah Teuton ; 21. "Indigenous Children's Literature," Loriene Roy ; 22. "Red Dead Conventions: American Indian Transgenric Fictions," Jodi Byrd ; Part III - Methods ; 23. "Contested Images, Contested Lands: The Politics of Space in Louise Erdrich's Tracks and Leslie Marmon Silko's Sacred Water" Shari Huhndorf ; 24. "Decolonizing Comparison: Towards a Trans-Indigenous Literary Studies," Chadwick Allen ; 25. "Indigenous Trans/Nationalism and the Ethics of Theory in Native Literary Studies," Joseph Bauerkemper ; 26. "Beyond Continuance: Criticism of Indigenous Literatures in Canada," Sam ; McKegney ; 27. "All that is Native and Fine: Teaching Native American Literature," Frances Washburn ; 28. "Teaching Native Literature in a Multi-Ethnic Classroom," Channette Romero ; 29. "Between 'Colonizer-Perpetrator' and 'Colonizer-Ally': Towards a Pedagogy of Redress," Renate Eigenbrod ; 30. "Vine Deloria, Jr. and the Spacemen," Craig Womack ; 31. "A basket is a basket because...: telling a Native rhetorics story," Malea Powell ; 32. "The Making and Remaking of the Mestiza: New Tribalism and the Expression of an Indigenous Identity in the Work of Gloria Anzaldua," Domino Renee Perez ; Part IV - Geographies ; 33. "Literature and the Red Atlantic," Jace Weaver ; 34. "The Re/Presentation of the Indigenous Caribbean in Literature," Shona Jackson ; 35. "Writing and Lasting: Native Northeastern Literary History," Lisa Brooks ; 36. "Decolonizing the Indigenous Oratures and Literatures of Northern British North America and Canada (Beginnings to 1960)," Margery Fee ; 37. "Indigenous Literature and Other Verbal Arts, Canada (1960-2012)," Warren Cariou ; 38. "Amerika Samoa: Writing Home," Caroline Sinavaiana Gabbard ; 39. "Native Literatures of Alaska," James Ruppert ; 40. "The Popol Wuj and the Birth of Mayan Literature," Thomas Ward ; 41. "Keeping Oklahoma Indian Territory: Alice Callahan and John Oskison (Indian Enough)," Joshua B. Nelson ; 42. "Francophone Aboriginal Literature in Quebec," Sarah Henzi ; Afterwords ; 43. "I ka '?lelo ke Ola, in Words is Life: Imagining the Future of Indigenous Literatures," ku'ualoha ho'omanawanui.

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The Oxford Handbook of Modern and Contemporary American Poetry / Cary Nelson

Public ISBD Titre : The Oxford Handbook of Modern and Contemporary American Poetry Type de document : texte imprimé Auteurs : Cary Nelson, Auteur Editeur : Oxford [United Kingdom] : Oxford university press Année de publication : 2014 Collection : Oxford Handbooks Importance : 734 p. Format : 24.13 x 16.76 x 4.06 centimetres (0.01 kg) ISBN/ISSN/EAN : 978-0-19-020415-0 Langues : Anglais Mots-clés : Modern  Contemporary  American-Poetry. Résumé : The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period-Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others-serve as touchstones along the tour of the poetic landscape. Note de contenu : Table of Contents: List of Contributors ; Part I ; 1. A Century of Innovation: American Poetry from 1900 to the Present ; Cary Nelson ; Part II ; 2. Social Texts and Poetic Texts: Poetry and Cultural Studies ; Rachel Blau DuPlessis ; 3. American Indian Poetry at the Dawn of Modernism ; Robert Dale Parker ; 4. "Jeweled Bindings": Modernist Women's Poetry and the Limits of Sentimentality ; Melissa Girard ; 5. Hired Men and Hired Women: Modern American Poetry and the Labor Problem ; John Marsh ; 6. Economics and Gender in Mina Loy, Lola Ridge, and Marianne Moore ; Linda A. Kinnahan ; 7. Poetry and Rhetoric: Modernism and Beyond ; Peter Nicholls ; 8. Cezanne's Ideal of "Realization": A Useful Analogy for the Spirit of Modernity in American Poetry ; Charles Altieri ; 9. Stepping Out, Sitting In: Modern Poetry's Counterpoint with Jazz and the Blues ; Edward Brunner ; 10. Out With the Crowd: Modern American Poets Speaking to Mass Culture ; Tim Newcomb ; 11. Exquisite Corpse: Surrealist Influence on the American Poetry Scene, 1920-1960 ; Susan Rosenbaum ; 12. Material Concerns: Incidental Poetry, Popular Culture, and Ordinary Readers in Modern America ; Mike Chasar ; 13. "With Ambush and Stratagem": American Poetry in the Age of Pure War ; Philip Metres ; 14. The Fight and the Fiddle in Twentieth-Century African American Poetry ; Karen Jackson Ford ; 15. Asian American Poetry ; Josephine Park ; 16. "The Pardon of Speech": The Psychoanalysis of Modern American Poetry ; Walter Kalaidjian ; 17. American Poetry, Prayer, and the News ; Jahan Ramazani ; 18. The Tranquilized Fifties: Forms of Dissent in Postwar American Poetry ; Michael Thurston ; 19. The End of the End of Poetic Ideology, 1960 ; Al Filreis ; 20. Fieldwork in New American Poetry: From Cosmology to Discourse ; Lytle Shaw ; 21. "Do our chains offend you?": The Poetry of American Political Prisoners ; Mark W. Van Wienen ; 22. Disability Poetics ; Michael Davidson ; 23. Green Reading: Modern and Contemporary American Poetry and Environmental Criticism ; Lynn Keller ; 24. Transnationalism and Diaspora in American Poetry ; Timothy Yu ; 25. "Internationally Known": The Black Arts Movement and U.S. Poetry in the Age of Hip Hop ; James Smethurst ; 26. Minding Machines / Machining Minds: Writing (at) the Human-Machine Interface ; Adalaide Morris ; Index. The Oxford Handbook of Modern and Contemporary American Poetry [texte imprimé] / Cary Nelson, Auteur . - Oxford (United Kingdom) : Oxford university press, 2014 . - 734 p. ; 24.13 x 16.76 x 4.06 centimetres (0.01 kg). - (Oxford Handbooks) . ISBN : 978-0-19-020415-0 Langues : Anglais Mots-clés : Modern  Contemporary  American-Poetry. Résumé : The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period-Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others-serve as touchstones along the tour of the poetic landscape. Note de contenu : Table of Contents: List of Contributors ; Part I ; 1. A Century of Innovation: American Poetry from 1900 to the Present ; Cary Nelson ; Part II ; 2. Social Texts and Poetic Texts: Poetry and Cultural Studies ; Rachel Blau DuPlessis ; 3. American Indian Poetry at the Dawn of Modernism ; Robert Dale Parker ; 4. "Jeweled Bindings": Modernist Women's Poetry and the Limits of Sentimentality ; Melissa Girard ; 5. Hired Men and Hired Women: Modern American Poetry and the Labor Problem ; John Marsh ; 6. Economics and Gender in Mina Loy, Lola Ridge, and Marianne Moore ; Linda A. Kinnahan ; 7. Poetry and Rhetoric: Modernism and Beyond ; Peter Nicholls ; 8. Cezanne's Ideal of "Realization": A Useful Analogy for the Spirit of Modernity in American Poetry ; Charles Altieri ; 9. Stepping Out, Sitting In: Modern Poetry's Counterpoint with Jazz and the Blues ; Edward Brunner ; 10. Out With the Crowd: Modern American Poets Speaking to Mass Culture ; Tim Newcomb ; 11. Exquisite Corpse: Surrealist Influence on the American Poetry Scene, 1920-1960 ; Susan Rosenbaum ; 12. Material Concerns: Incidental Poetry, Popular Culture, and Ordinary Readers in Modern America ; Mike Chasar ; 13. "With Ambush and Stratagem": American Poetry in the Age of Pure War ; Philip Metres ; 14. The Fight and the Fiddle in Twentieth-Century African American Poetry ; Karen Jackson Ford ; 15. Asian American Poetry ; Josephine Park ; 16. "The Pardon of Speech": The Psychoanalysis of Modern American Poetry ; Walter Kalaidjian ; 17. American Poetry, Prayer, and the News ; Jahan Ramazani ; 18. The Tranquilized Fifties: Forms of Dissent in Postwar American Poetry ; Michael Thurston ; 19. The End of the End of Poetic Ideology, 1960 ; Al Filreis ; 20. Fieldwork in New American Poetry: From Cosmology to Discourse ; Lytle Shaw ; 21. "Do our chains offend you?": The Poetry of American Political Prisoners ; Mark W. Van Wienen ; 22. Disability Poetics ; Michael Davidson ; 23. Green Reading: Modern and Contemporary American Poetry and Environmental Criticism ; Lynn Keller ; 24. Transnationalism and Diaspora in American Poetry ; Timothy Yu ; 25. "Internationally Known": The Black Arts Movement and U.S. Poetry in the Age of Hip Hop ; James Smethurst ; 26. Minding Machines / Machining Minds: Writing (at) the Human-Machine Interface ; Adalaide Morris ; Index.

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The Oxford Handbook of Shakespeare / Arthur F. Kinney

Public ISBD Titre : The Oxford Handbook of Shakespeare Type de document : texte imprimé Auteurs : Arthur F. Kinney, Editeur scientifique Editeur : Oxford [United Kingdom] : Oxford university press Année de publication : 2014 Collection : Oxford Handbooks Importance : 823 p. Format : 24.5 x 17.2 x 4.4 centimetres (0.51 kg) ISBN/ISSN/EAN : 978-0-19-870349-5 Langues : Anglais Note de contenu : Table of Contents: I. TEXTS ; II. CONDITIONS ; III. WORKS ; IV. PERFORMANCES ; V. CURRENT SPECULATIONS. The Oxford Handbook of Shakespeare [texte imprimé] / Arthur F. Kinney, Editeur scientifique . - Oxford (United Kingdom) : Oxford university press, 2014 . - 823 p. ; 24.5 x 17.2 x 4.4 centimetres (0.51 kg). - (Oxford Handbooks) . ISBN : 978-0-19-870349-5 Langues : Anglais Note de contenu : Table of Contents: I. TEXTS ; II. CONDITIONS ; III. WORKS ; IV. PERFORMANCES ; V. CURRENT SPECULATIONS.

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The Oxford Handbook of William Wordsworth / Richard Gravil

Public ISBD Titre : The Oxford Handbook of William Wordsworth Type de document : texte imprimé Auteurs : Richard Gravil, Auteur ; Daniel Robinson, Auteur Editeur : Oxford [United Kingdom] : Oxford university press Année de publication : 2015 Collection : Oxford Handbooks ISBN/ISSN/EAN : 978-0-19-966212-8 Langues : Anglais Mots-clés : William  Wordsworth. Résumé : The Oxford Handbook of William Wordsworth deploys its forty-eight original essays, by an international team of scholar-critics, to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. Nineteen essays explore the highlights of a long career systematically, giving special prominence to the lyric Wordsworth of Lyrical Ballads and the Poems in Two Volumes and to the blank verse poet of 'The Recluse'. Most of the other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship. Note de contenu : Table of Contents: PART I: LIFE, CAREER, AND NETWORKS ; PART II: POETRY ; PART III: 'THE RECLUSE' ; PART IV: POETS AND POETICS ; PART V: INHERITANCE AND LEGACY ; PART VI: RECEPTION. The Oxford Handbook of William Wordsworth [texte imprimé] / Richard Gravil, Auteur ; Daniel Robinson, Auteur . - Oxford (United Kingdom) : Oxford university press, 2015. - (Oxford Handbooks) . ISBN : 978-0-19-966212-8 Langues : Anglais Mots-clés : William  Wordsworth. Résumé : The Oxford Handbook of William Wordsworth deploys its forty-eight original essays, by an international team of scholar-critics, to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. Nineteen essays explore the highlights of a long career systematically, giving special prominence to the lyric Wordsworth of Lyrical Ballads and the Poems in Two Volumes and to the blank verse poet of 'The Recluse'. Most of the other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship. Note de contenu : Table of Contents: PART I: LIFE, CAREER, AND NETWORKS ; PART II: POETRY ; PART III: 'THE RECLUSE' ; PART IV: POETS AND POETICS ; PART V: INHERITANCE AND LEGACY ; PART VI: RECEPTION.

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